Then I hopped into Texture Effects and used a Texture layer to create the corrugated metal look for the wall and a Light Leak layer to make it look like a spot of sun is reflected on the wall. In ReStyle you can choose your color palette so I used it to get vivid purple and yellow. Here’s a before (left) and after (right). You can add as many layers of adjustments or effects as you want and save off any combination as your own preset. It’s really easy to add adjustments and effects via layers, each with its own mask. It has a great interface that builds on the innovation they showed in Glow and Impression. Although I tried changing various adjustments I liked the preset as is and was able to get what you see above with just one click. The image was already colorful and the wall textured but it needed a little punch. In this case I used the “Color Burst” preset to accentuate my image of these tiled stairs and rail. You can use them to spark ideas or as a starting point. One of the nicer aspects of Texture Effects are the hundreds of presets that come with it. In addition to hundreds of fantastic presets, you can also customize them or make your own. It’s a huge time saver over creating textures in most other programs. Texture Effects, Topaz’s latest plug-in (also operates stand-alone) is the easiest way to add textures and a whole lot more to your images. I’m not entirely sure the hay bales looked exactly like this but I like the timeless feel I was able to achieve in Texture Effects.
Historically tintypes and early methods of creating round bales of hay do overlap. Author: Joel Wolfson In addition to a Basic Adjustment layer I used Edge Exposure, Dust/Scratches, and Texture layers within Texture Effects to create this vintage look reminiscent of a tintype.
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